Business executive Jazmin Carter is known for two things: turning fledgling businesses into profit producers and avoiding Christmas in Harlem, the neighborhood where she grew up.
A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. The idea for the photo came from Esquire's art director, Robert Benton, rather than Kane. However, after being given the commission, it seems that Kane was responsible for choosing the location for the shoot. The subjects are shown at 17 East 126th Street, between Fifth and Madison Avenue, where police had temporarily blocked off traffic. Published as the centerfold of the January 1959 issue of Esquire, the image was captured with a Hasselblad camera, and earned Kane his first Art Directors Club of New York gold medal for photography. It has been called "the most iconic photograph in jazz history," and is a credited artistic inspiration that led to Gordon Parks' 1998 XXL-commissioned "A Great Day in Hip Hop" homage to Harlem, forty years later, and Patrick Nichols' subsequent 2024 AGO-commissioned Canadian spinoff, "A Great Day in Toronto Hip Hop."