The Loser Takes All
Man (Gianis Aggelakas), a mysterious man of the underworld, small time grifter and big time hard-man, who has an anarchic tendency to mumble and comment on the system, society, police, the underworld itself and other things, along with his beloved bird, Bellafonte, meets up with an odd posse consisting of kid, who is a young songwriter, a prostitute who gathers money in order to open a bookstore, an alcoholic girl haunted by the relationship with her dead mother, and the grudgey bar-woman-ex-girlfriend. The five of them get caught up in a scheme involving the media, the mob, politicians and the police. And they definitely want to get the hell out of the city, probably to some Caribbean paradise.
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The Loser Takes It All is a 2002 Greek dramatic experimental independent underground art film, the seventh feature film directed by Nikos Nikolaidis. The film, produced by the Greek Film Center and Greek Television ET-1, is the last part of the "Years of Cholera" trilogy beginning with The Wretches Are Still Singing (1979) and Sweet Bunch (1983) which deals with the last decades of the twentieth century. Production of the film was finished by September 2002. The film was first screened at the Thessaloniki International Film Festival on 15 November 2002 and its theatrical release began on 31 January 2003. The film received the Best Director Award and Kostas Gikas received the Best Cinematographer Award for it at the Thessaloniki International Film Festival's Greek State Film Awards in November 2002.
